The Development of American Film Music Essay Example | Topics and Well Written Essays - 4500 words

The Development of American Film Music - Essay Example This research will begin with the statement that during the first half of the twentieth century, the American cinema was born in the laboratories, and grows as a means of expression and serves as a means to entertain the masses. American people thanks to three factors: The scientist, artist, and businessman. Each of these factors contributed to their configuration, stating his physiognomy and strengthens its power. It became one of the largest industries within the short span of time. In a new art, emerging from science and traditional arts, it became a powerful social factor. From 1896 to 1903 saw the genesis of the film, and successfully fulfilled its three objectives, the juicy field of business, a technique peculiar and a large audience. Littman discusses that the first civic screening of a film in the United States occurred in 1896 in New York. The projector had been developed by the inventor Thomas Alva Edison, whose company was also the producer of the shorts. The paternity of the American fiction film is often attributed to Edwin S. Porter, who in 1903 used an innovative technique of montage in the film 8 minutes Assault and robbery of a train by which different fragments from different shots of the same film come together to form a whole narrative. David Wark Griffith, a disciple of Porter developed using the principles of this panoramic shots and close-ups, as well as parallel assemblies as a means of expression to maintain dramatic tension, which became the most important pioneer of silent movies in States United.... The Birth of Hollywood Between 1915 and 1920, the film industry was gradually shifted from the East Coast to Hollywood, where new studies emerged. Film production has become an important economic sector and imposed their dominance beyond the country's borders. At that time came the major genres: the western, detective films, adventure, science fiction and terror, who lived a time of splendour with directors like Cecil B. De Mille, John Ford, Frank Capra, William Wyler and King Vidor, like most serious works by Ernst Lubitsch and Erich von Stroheim-two directors considered the best time - or documentaries by Robert Flaherty. A peculiarity of the American film was the slapstick, a gender-based persecution disparate comedy and gags or comic situations. The person responsible for the emergence of this kind in 1912 was Senett Mack, whose school was, formed Charlie Chaplin, author of The Gold Rush (1925). Other important representatives of slapstick were Buster Keaton (The driver of the overall 1927), Harold Llo yd (The student beginner 1925) and the duo formed by Stan Laurel and Oliver Hardy (From soup to nuts, 1928). The Sound Films With the introduction of talkies in the late 1920 emerged film genres: the screens began to be dominated by musicals (with many dance movies, particularly Busby Berkeley) and films by gangsters, who tried two other themes Today: the Great Depression and the Law Seca (e.g. golden Hemp, Mervyn Le Roy in 1930, or Scarface, the terror of hemp, Howard Hawks, 1932) (Grimes, 2005, pp. 15-22). The Decades Of 1940 1950 In 1941, the premiere of Citizen Kane, Orson Welles, marked a turning point for American cinema. Welles abandoned the chronological narrative and created a work of art that shook the cinematic